PART 2
And understand at once that there are seven places highly proper for osculation, in fact, where all the world kisses.
These are:
1. the lower lip
2. both the eyes
3. both the cheeks
4. the head
5. the mouth
6. both breasts
7. the shoulders
It is true that the people of certain countries have other places, which they think proper to kiss; for instance, the voluptuaries of Satadesha have adopted the following formula:
But this is far from being customary with the men of our country or of the world in general.
Furthermore, there are ten different kinds of kisses, each of which has its own and proper name, and these will be described in due order.
1. Nlita-kissing, which means “mishrita”, mixing or reconciling. If the wife be angry, no matter however little, she will not kiss the face of her husband; the latter then should forcibly fix his lips upon hers and keep both mouths united till her ill-temper passes away.
2. Sphurita-kissing, which is connected with twitching and vellication. The wife should approach her mouth to that of her husband, who then kisses her lower lip, whilst she draws it aways, jerking, as it were, without any return of osculation.
3. Ghatika, or neck-nape kissing, a term frequently used by the poets. This is done by the wife, who, excited with passion, covers her husband’s eyes with her hands, and closing her own eyes, thrusts her tongue into his mouth, moving it to and fro with a motion so pleasant and slow that it at once suggests another and higher form of enjoyment.
4. Tiryak, or oblique kissing. In this form the husband, standing behind or at the side of his wife, places his hand beneath her chin, catches hold of it and raises it, until he has made her face look up to the sky;’ then he takes her lower lip beneath his teeth, gently biting and chewing it.
5. Uttaroshtha, or “upper-lip kissing”. When the wife is full of desire, she should take her husband’s lower lip between her teeth, chewing and biting it gently; whilst he does the same to her upper lip. In this way both excite themselves to the height of passion.
6. Pindita, or “lump-kissing”. The wife takes hold of her husband’s lips with her fingers, passes her tongue over them and bites them.
7. Samputa, or “casket-kissing”. In this form the husband kisses the inside mouth of his wife, whilst she does the same to him.
8. Hanuvatra-kissing. In this mode the kiss should not be given at once, but begin with moving the lips towards one another in an irritating way, with freaks, pranks, and frolics. After toying together for some time, the mouths should be advanced, and the kiss exchanged.
9. Pratibodha, or “awakening kiss”. When the husband, who has been absent for some time, returns home and finds his wife sleeping upon the carpet in a solitary bedroom, he fixes his lips upon hers, gradually increasing the pressure until such time as she awakes. This is by far the most agreeable form of osculation, and it leaves the most pleasant of memories.
10. Samaushtha-kissing. This is done by the wife taking the mouth and lips of the husband into hers, pressing them with her tongue, and dancing about him as she does so.
Here end the sundry forms of kisses.
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